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April 9, 2004

Demolition, man

It's probably been upwards of 10 or 15 years since I've heard the Police song "Demolition Man," but my favorite line from the song was "I'm a walking nightmare, an arsenal of doom/I kill conversation as I walk into the room." I'm not sure why I latched onto it--something about the idea of killing conversation just stuck in my head.

I think about this again tonight because last night at about this time, I de-lurked on one of our professional listservs, and apparently managed to kill the conversation. Without getting into too many of the details, it was a thread on how sprawling our field has become, and how difficult it is to keep pace with everything that comes out, given so many different areas of study and venues. As you may gather, it's an interesting problem to me because it's an inevitable feature of any organization that grows beyond a particular size--the visible horizon for any single member stays relatively constant, but once the organization grows beyond that horizon, it has to respond in ways that help orient its membership to the sprawl.

Did I say I wouldn't give too many details?

Anyhow, my post offered what I thought was a fairly elegant mix of a centralizing vision combined with broadly distributed responsibility. The problem is a laughably simple one to solve, honestly, with a small change in collective behavior and a little bit of organizational leadership.

Yeah. If I were teasing myself, I'd say that they were all stunned by the profound simplicity of my proposed solution. Truth be told, though, I think the real problem, the conversation killer, was that I had a solution at all. The thread wasn't about coming together to solve a problem in our field; it was about identifying YAAH ("yet another academic hardship"), with which we could all hop on board, about which we might pat ourselves on the back, and regarding which we could commiserate. Silly me.

In this, I am a boy. My gut reaction to a discussion of a problem is to consider how that problem might be fixed. Sometimes I am sensitive enough to recognize that fixin isn't what someone is after (not always!), but I still have to stifle that gut reaction.

Even now, I know that this will probably get back to some of the people on that list, who (a) won't recognize my description of the conversation, (b) will resent me for poking fun at YAAH, and/or (c) treat my attempt to speak of our organization as an organization (as opposed to a club or community) as evidence that I'm a socially purposeless, amoral te(a)chnocrat. Don't laugh. That's a near-quote, although not a recent one. And I know that the way to "fix" those reactions is simply to delete this entry before I post it.

Who am I kidding, though? Most of them will just glide on past, and in six months or a year, the issue will come up again, and they'll run the cycle of permissible responses, and that'll be that. And who knows? Maybe I'll bring my arsenal of doom along again...

June 11, 2004

Blogging @ MEA

Mission accomplished! Despite what was barely a nap this morning, I managed to scrape myself together and made the drive to Rochester this afternoon for the Media Ecology Association conference. And as promised, I had the pleasure of attending a plenary-quality panel on blogging: Liz Lawley, Alex Halavais, Sébastien Paquet, Clay Shirky, and Jill Walker. And here's my rundown...it's long, and there are places where I'm projecting, I think, but I trust you'll indulge me...

Continue reading "Blogging @ MEA" »

June 15, 2004

Mecology

Nothing profound to be found here this evening. I have this bad habit of winding my legs around chairs when I'm sitting and typing, and since I re-aggravated my knee yesterday, I've tried to avoid chairs (as opposed, say, to couches and beds) when possible for a stretch. Tonight I'm in the office, facing the daunting prospect of de-bunkering about three years worth of accumulated stuff. Since I'll be on leave in the fall, and since office space in the SU WP is at a premium, I'll be office-less during that time. I've already filled five boxes, with little visible effect.

But it's gotten me to thinking. This summer is the first in almost ten years that I won't be teaching a course, and this fall will be the first extended stretch in even longer that I haven't had access to office space. And so I've been thinking lately about how important (& implicitly so) it's been to me to have separate home/office spaces. I organize my email partly via the fact that I have both home and office access. I came in to the office tonight to work, knowing that if I had the NBA finals on TV, I wouldn't. So I'm catching an ESPN radio stream, and able to do other stuff. My office gives me immediate access to a sizable library. I'll bring home books to work from, but my office is my base. Not this fall, though.

For me, this connects to a bunch of stuff that I'd been thinking about this weekend. I've been feeling a little bit of a disjunct between the writing I'm doing for my book, and the writing I do here. Part of it is topic-based, certainly, but part of it is the kind of writing that I can do on cgbvb. I don't really want the overlap, frankly, for reasons I'm still thinking through.

Maybe more on this later. What it boils down to, though, is what I've come to think of as my personal media ecology, the various ways that I manage and organize my space, time, resources, memory, information, etc. I'm just bumping up lately against the fact that mycology is going to have to change soon...

June 21, 2004

Preserve, Archive, Disseminate

The only other session I caught at MEA last week was one of the plenaries, about the future of digital literature. Marjorie Luesebrink gave a brief talk as part of the plenary, and in it, she mentioned the efforts of the Electronic Literature Organization's PAD project.

Their first manifesto is now available, called Acid-Free Bits: Recommendations for Long-Lasting Electronic Literature, and it was written by Nick Montfort and Noah Wardrip-Fruin. Among their recommendations are writing for open systems instead of closed ones, working cross-system as best as possible, using valid code, etc. It's certainly worth a gander if you're involved with new media in any way. As Marjorie mentioned during her talk, we've already reached a point where some early examples of e-literature are becoming more and more difficult to view, due to proprietary systems, software/hardware versions, etc.

July 2, 2004

practice v research

Just a couple of quick notes, while I'm on a brief break from the manuscript...

Nancy White posts over at M2M about the relationship between practice and research when it comes to social software. She's riffing on some comments of danah's which in turn responded to some of Liz's remarks in her blog research post there. It's been interesting to me to watch the M2M conversation unfold in parallel with Liz's conversation with Elijah, who posts the emails at his blog, and continues the conversation at M2M. Got all that? Heh. It's probably easier to just read M2M than to try and follow my winding attempt at a summary here...

Anyhow, Nancy's post (and a remark she made in the comment section to another) got me thinking a bit. She casts this discussion in terms of distance, arguing (rightly, I think) that we need to give up some critical distance and actually use/practice/experience different media before we can speak with any kind of authority or credibility about it. And even then, extrapolating from that experience to speak about the medium itself is a pretty dicey proposition. (i've got a riff on this very issue in the manuscript...)

This reminds me alot of a conversation I engage my students in whenever I teach research writing. We talk about whether it's easier to work with a topic you know well or one you don't. At first glance, I think it's easier to work from what you know, but then that ignores the bad teachers out there (I've had a few, and tried not to be one), people who know their material cold but don't know how to communicate it to people without that same experience. Sometimes, it's more effective to work with an unfamiliar subject, that the questions you ask as a researcher are likely to be the same questions your audience will have, you don't take specialized language for granted, etc.

Nancy's comment to the conversation, about providing a bridge between practitioners and academics, made me think about this, bc I think there are really two bridges there. As someone who's both practitioner and academic, I find myself trying not to take academic habits of thought for granted when I post here, but I also find myself doing the same with practitioner habits when I talk to other academics about what I'm doing. As Alex has talked about, those of us techademics who blog are the tip of a big, slow academic iceberg.

Speaking for myself, of course, I feel oddly suspended between these two audiences, bridging sometimes more in one direction, sometimes more in the other. Like Nancy, I've got little patience for "my toys are better than your toys" kinds of contests, but as someone whose "official" writing is often for an audience that hasn't seen any of the toys before, I can't dismiss those kinds of discussions out of hand. That being said, there are right ways and wrong ways to hold them, of course.

April 4, 2005

Booles rush in

I expect that this will be a less playful version of Jeff's entry. Sorry about that.

Back in the day, back when Lingua Franca was still printing issues, they did a series of special turn-of-the-mill essays. One of these was a top-20 list, a list of those people in the academy who were doing innovative work with technology. I didn't see this list until a year or so later, in part I suppose because no one in my "field," computers and writing, was talking about it. And no one in the field was talking about it, in part, because no one in the field was represented on it. There were people from a broad range of disciplines on that list--not just tech ones--but despite the fact that my field had (at the time) an almost-20-year history of work with technology, despite an annual conference, despite a journal, despite a semi-professional organization, despite all of that, there wasn't a single member of that field represented on that list.

It was kind of depressing. But more depressing was the fact that there really wasn't anyone in my field who deserved to be there, myself included.

Flash forward to the present. Today, there's a "View" called "Hypertext 101" appearing over at Inside Higher Ed, which represents pretty conventional thinking in my field. I could snark up and down, believe me, but I'm going to restrict myself to two main points:

First, there is not a single thing I see there that couldn't have been written 7 or 8 years ago, and in fact, was being written then. With the possible exception of the "web in a can" reference (and the mistaken assignment of Blogger to the same category as Blackboard and WebCT), there is nothing new here. The examples with which this article closes? Using HTML editors to design web pages.

Second, and somewhat relatedly, I present to you a version of "net research" that was feeling its age back in the days of Gopher and Lynx:

However, research on the net means much more than typing a few words in to Google.  

A more sophisticated approach to teaching students how to do Internet research involves showing students some of the ways online searches use Boolean logic, and this is simply accomplished by visiting the Google Guide.

Ah yes. Research on the net means typing a few words into Google as well as Boolean operators. That's the ticket. I don't know what it is about this ridiculous field I'm in, but for some reason, every handbook we write testifies that Boolean operators are some sort of magic bullet for research. That, somehow, Boolean operators and a "credibility checklist" will actually result in research.

This is research that elementary school children are capable of doing. This is not "innovative" or "critical" thinking about research, or technology. This is the 5-paragraph theme of net research, an outmoded formula for gathering information that lacks any sort of nuance and actually discourages critical thought.

This is embarrassing.

Okay, a third point. Call it the bonus round. We are well past the point where it is kosher, in any venue, to issue these bland, pointless "calls for thinking critically." Put up. Give me some examples of the kind of innovation that you're calling for. Here's a few, completely off the top of my head: Will Richardson is doing more at the primary level than most college instructors are willing or capable of doing at the college level. And he's looking at the ways that weblogs, wikis, & the read/write web are challenging a model of schooling that's grounded in the narrowness of print literacy. Why not look at his work? How about EPIC 2014 as a new model for the argumentative essay? How about John Udell's study of the emerging professionalism and credibility at Wikipedia? How about, how about, how about?

Bottom line: it's not time to start thinking about technology. If you haven't started yet, it's time to catch up. If you don't know how to put together a QuickTime movie, you're behind. If you haven't futzed around with sound tools, you're behind. If you're still thinking about how to do web pages, you're behind. If you don't "get" blogs and wikis, you're behind. If you don't think that the Grokster case has anything to do with you, you're behind. And I could keep on going. There is nothing wrong with writing an essay, a view, a site, whatever, addressing those who are (by now) late adopters, but why in the world would exhortations to think critically about technology have any effect on those people when they've been hearing the same song for years now? The net is changing education, journalism, politics, science, culture, etc etc etc. If you're not keeping track of those changes, you're behind. Pure and simple.

Let me close with a passage that John Holbo cites over at his new blog The Valve. (By the way, if you don't know who Holbo is, you're behind.) Anyhow, it's from Lionel Trilling, and I've just been itching to use it:

From the democratic point of view, we must say that in a true democracy nothing should be done for the people. The writer who defines his audience by its limitations is indulging in the unforgivable arrogance. The writer must define his audience by its abilities, by its perfections, so far as he is gifted to conceive them.

"Hypertext 101" counters with this:

Computer technology has swiftly become our key writing tool but it’s too easy to imagine everyone “gets it.�

And hence the essay. But I work in a field which is frozen in this moment, the moment of assuming not only that "not everyone gets it," but also that "no one gets it." And this assumption frees many of the people in my field from ever having to really "get it" themselves. Instead, they can simply call for us to try harder to "get it."

Fact is, it's not "easy" to imagine the audience that Trilling describes. It means being willing to be ignored, which is hard. It means trading academic microfame or microcelebrity for the sake of good, meaningful, productive work. For years and years now, we've defined our work in my field as primarily pedagogical, and there's a real questionable ethic at play here, because I believe that behind that definition lurks the arrogance that Trilling describes. In other words, we've believed it easier to define the primary audience as students, the archetype in my field for an audience defined "by its limitations." So what happens when Will Richardson's students come to our classes, having learned by age 10 not only how to do Boolean searches but having been blogging, both in and outside of formal schooling, for upwards of 10 years. What are we going to have to say to them that they didn't know before they got to our classrooms?

What we need to start doing, right now, is to conceive of an audience capable of understanding what it is we have to say. We're already that audience, and sooner rather than later, our students will be, too. We need to start writing articles that take for granted the "critical thinking" that this essay calls for.

April 18, 2005

The Trent that feeds

(Tip: GZombie)

I can't really say that I've ever been a particular fan of Nine Inch Nails or Trent Reznor, save for the fact that I always thought his name was vaguely cool. I have a passing familiarity with some of the music, but otherwise, I haven't spared NIN much attention. That's about to change. Reznor has decided to release a track from his upcoming album in GarageBand format, with the idea of giving fans "the ability to tinker around with my tracks - to create remixes, experiment, embellish or destroy what's there." That's from the readme file that comes with the download. Here's a little more:

What I'm giving you in this file is the actual multi-track audio session for "the hand that feeds" in GarageBand format. This is the entire thing bounced over from the actual Pro Tools session we recorded it into. I imported and converted the tracks into AppleLoop format so the size would be reasonable and the tempo flexible. So... Drag the file over to your hard disk and double click it. Hit the space bar. Listen. Change the tempo. Add new loops. Chop up the vocals. Turn me into a woman. Replay the guitar. Anything you'd like.

I downloaded the file, and anticipate at least a few hours of unbridled GarageBand fun. If I have the chance and/or put together something interesting, I'll post it here. For the moment, though, Reznor has my "Utterly Cool!" vote for the month of April.

June 2, 2005

I am woman

I don't know if this qualifies as a late night confession, but I must admit that, in the past year or so, I've become much more of a Bravo watcher. A big part of it is their tendency to air multiple episodes of the West Wing on a daily basis, not to mention the occasional marathon. I haven't really gotten into their "Moms and Dads" series of shows, mostly because that stuff just sends me into a rage.

Lately, and often during Monday's Memorial Day WW Marathon, they've been advertising the heck out of a concert special that they aired tonight, a show by the Dan Band:

Imagine a guy sporting a gas station attendant's shirt, a backward baseball cap and sneakers strutting and swaggering around the stage, flush with attitude as he pours his soul into painfully earnest and oddly appealing covers of "Total Eclipse of the Heart," "Ring My Bell," "Muskrat Love," Janet Jackson's "Nasty" and Britney Spears' "Slave 4 U." That's [Dan] Finnerty, who adds to the lyrics a healthy number of self-created expletives for emphasis (lots of "fuck" and "shit" and "muthafucker" to confirm just how emotionally connected to this music he is). It leads here to a demented encore serenading a "sweat-rag girl" (don't ask) onstage in a show-stopping rendition of "I've Never Been to Me."

It was high-larious. If you have the chance, I highly recommend catching a re-air, and I'm sure there'll be plenty (Bravo's not overflowing with programming). Anyhow, the one thing that I didn't see mentioned in the reviews I've found was that the concert is chock full of mashups (imagine Morrisette's "You Oughtta Know" laced with a bit of "Que Sera Sera" and New Edition's "Cool it Now."). Maybe over at Crooked Timber, somebody mentioned that the problem with mashups is that once you get past the novelty, all you're left with is bad music. This may be bad music, but it's a hell of a lot of fun regardless. And while I don't know that I'll ever feel like listening to Night at the HipHopera or Revolved over and over, I'm actually thinking about shelling out either for the CD or the DVD of the concert. And the July concert dates are tempting, too...

Fun stuff. That is all. Oh, and "I Am Woman" was the name of the special.

August 6, 2005

He being brand new

You would think, given how little I tend to appreciate the Chronicle's effort to scare up attention when it comes to technology, that I might be thrilled to see an article (Michael Bugeja's "Master (or Mistress) of Your Domain") that appears to take a more generous approach to matters technological. And you would be right, to an extent. You would have to set aside, temporarily, the allusion that the title of the article summons up for me, an allusion to a particular Seinfeld episode.

A larger issue for me, I suppose, is that there's something about this essay that feels a little off. At first, I thought it was the degree to which the piece itself, about the virtues of self-promotion, is itself engaged in a great deal of self-promotion, touting the author's own work, his colleagues, his websites, etc. I'm a little turned off by the paternalism implicit in statements like "I'm responsible for the academic fates of some eight assistant professors hoping to earn tenure," I suppose, or the offer to turn a related domain over to Tim Berners-Lee.

My broader issue is that there's something subtly crass (if that's not an oxymoron) in the way this process is described here. I don't necessarily disagree with many of the points that Bugeja makes, but the whole process feels backwards to me. Instead of thinking about how the net might challenge the processes by which academia operates, what's offered is a description of how the net can extend the system and/or exploit it for as long as our colleagues remain unaware of how it works. Some of my regular reads (Chris Anderson, David Weinberger, Hugh MacLeod, et al.) are doing exactly what Bugeja advocates, but they're not doing it to promote sales of already-completed books--they invite us to participate in the shaping of those books.

I think this is my point, and my sticking point, with the language of branding to describe the transmedia strategy offered by this essay. The people who are using the net in genuinely innovative ways are using it to change the ways books are written (not to mention challenging the value of "books" in the first place--see Lessig & Gilmor, for example), while this feels to me more like an attempt to preserve a print economy. Here are a couple of the reasons that Hugh writes that branding is dead:

"Branding" is backwards looking. It's all about capturing past associations. It's never about what the business could become, but protecting what came before.

"Branding" is all about articulating top-down, hierarchal control of the conversation. "This is what it means." It's EGOlogy, not ECOlogy.

Come to think of it, these two points pretty much capture the sum total of my unease with this article. I think I'll just stop here.

[via Becky, Steve, & John]

September 5, 2005

Feral hypertexts?

I can't guarantee to you that my reason for linking to this entry over at Jill's has anything behind it other than the fact that I like the word "feral."

Okay, there's a little more to it than that. First of all, I almost always find that Jill and I are on the same screen when it comes to things like:

Perhaps it is more useful to think about new kinds of textuality as more akin to performances than to the texts produced in the 19th century.

It doesn't hurt that I'm currently working my belated way through Craig Saper's Networked Art, which makes a similar point. Or that I'm right at a point in my manuscript revisions where I need to elaborate on this idea. No, none of that hurts.

Second, I like that Jill's wrestling with what seems to be a pretty counter-intuitive pair of ideas: feral hypertexts are ones that are out of control, and she's discussing in this entry the prospect of developing critical editions for such texts, critical editions being one of the ways that academia exerts control upon a text. I'd say more about how she works in and out of this paradox, but then, that would spoil the surprise, wouldn't it?

Third, I really really am fond of the word "feral."

That's all for the moment. I still have to throw up my review of the Brothers Grimm, but I'm thinking maybe that'll keep until the morrow.

January 17, 2006

S-L-O-P, that's the way I spell sloppy...sloppy!



danah boyd posted a short reflection on what she's calling "sloppy speech acts," where she thinks about the various effects that IMing has had on her speech:

And then i started thinking about how sloppy my speech has been lately. I speak like i IM on my Sidekick - short, curt, coded... My speech has gotten super sloppy in recent years and i use my hands even more when i'm talking. I use whatever word comes to mind even if it doesn't fit well and i speak through impressions rather than using sound bites. I realize that my writing has gotten sloppier too and i find it far far far more painful to write now than before. I'm not particularly proud of either of these manifestations.

I'm not a big IMer--even though I have Sidekick envy, I lack the desire to overcome the massive inertia keeping me from joining the mobile (r)evolution. But I have noticed the shift, and even talked about it a time or two, in my own writing habits over the past couple of years of active blogging.

If there is a conventional wisdom about the relationship between blogging and writing, my sense is that it runs something like this: it's hard to get students to write, students don't improve their writing unless they write, and so anything that gets them writing earlier is bound to get them writing better. There's more to it than that, of course, but for me, that's the basic syllogism behind a great deal of technology and writing scholarship. For myself, I'd add that blogging can/should/may have the effect of getting students to think differently about writing, and in all sorts of ways that I find to be improvements over the default positions of most of us.

If there is a weakness in this line of reasoning for me, it's the baseline assumption that we all share the same threshold for putting pen to paper or finger to key. We have a tendency to assume that the world hates to write with roughly the same intensity, and it's that aversion that we must overcome as writing instructors. Fair enough, and perhaps even true most of the time. Certainly I don't walk into a classroom expecting to find a roomful of graphophiles. Heck, most of us could probably say the same about walking into department meetings. And even in the odd case that we could, it would be silly to imagine that everyone loves to write in the same way.

One of the differences that I've been thinking about with respect to danah's entry is this question of threshold, because I think that there are two specific features of it that vary widely from person to person: I think that each of us has hir own threshold for writing in general, and each of us juggles various thresholds from medium to medium and/or audience to audience. There are people whom I'd call on the phone and talk to for an hour before I'd return an email that asked for a one-line answer. There are people who only receive emails from me. And so on.

Lately, I've been having some trouble picking up my academic writing again, trouble that I haven't really experienced here. One answer to this concern is to say that blogging is interfering with my more strictly academic work, but that's not quite right. Closer to the truth is that, for a long time, my writing practice was pretty much monovocal (or maybe bivocal). I wrote emails to friends and colleagues (which I didn't think of as writing per se) and I wrote articles, presentations, etc., to a fairly general audience of my academic peers. Now, I like writing, and I like it enough such that my threshold for doing that work was never especially high. As a blogger, though, my threshold for writing has dropped even further--I never would have dreamed that I could write on a daily basis (or semi-daily, at least) for as long as I've maintained this space.

The trouble I've run into is that the thresholds for these two practices are themselves different. It's easier for me to throw up a post (obviously) than it is to work on an article, and once I cross the blog threshold and write, typically I do something else when I'm done. So blogging does in some ways "interfere," but really only in the sense that I feel like "I've written" when I'm done, and enough so that I end up starting over again to work up to the threshold for academic prose.

Well, that, and also that I find myself wanting to end articles simply by saying "That is all."

No grand conclusions here. I'm just thinking through some of these things myself, but I wonder if we spend too much of our attention on the notion that blogs will help us overcome resistance to writing and not enough on how it changes the practices of those (of us) whose resistance isn't as acute.

That is all.

March 5, 2006

A talk in search of a stage

Those of you who follow my scholarly career as closely and in as much painstaking detail as I myself do will notice that one particular vector that I've followed with some consistency is the exploration, experimentation (with), and implementation (PPT) of various visual/spatial tools for writing. In other words, I find myself drawn, time and again, to different ways of writing, different means of expressing the kind of thinking that I do as a scholar.

Funny thing about this is that I didn't realize this myself until fairly recently. I've been working first with hypertexts and webtexts and later with new media more broadly conceived for over 10 years now, and I think that one of the things that drives that work is an underlying conviction on my part that electracy allows me to write in ways that feel more comfortable to me than do those supported by pencils, typewriters, and word processors. It's early in the morning, so forgive me for waxing a little philosophical here.

Anyhow, over the past year or so, I've been using Keynote as a composing tool, mostly for talks that I've given, but as a means of visually and spatially writing before I commit my ideas to sentences and paragraphs. When people started screencasting, I was excited about the possibility of being able to do even more with it. But I've had trouble finding the right combination of tools for myself. Enter ProfCast, a $35 app that allows you to simultaneously record voice on top of Keynote or PPT slides, and it preserves the timing of the slides as well. Finally, it allows you to publish the results as podcasts/screencasts (with RSS feeds to boot). The idea behind it is that it's a tool that would allow professors giving PPT-assisted lectures to record both the voice and slides, and package them together for their students.

So what we have linked below is my first crack at a screencast written in Keynote, then scripted, and recorded with ProfCast. It's about 12 minutes long, and runs a little larger than 8 MB (8.1, I think). It's an MPEG-4 file, and I was able to view it on my machine using QuickTime without any trouble. The slides are vector-based for the most part, so you can watch it full-screen without any fuzziness--in fact, it's probably better displayed large than small, so I recommend downloading it to watch it.

It's a little rough around the edges, but not bad for a first try, and the ideas in it are ones that I've been batting around in different forms (and different forums) for the past year. Enjoy.

social bookmarking screencast

May 19, 2006

Kevin Kelly, "Scan This Book!"

I have to admit that I was all ready to read Kevin Kelly's piece for the NYT Magazine ("Scan This Book!") and to dislike it. I was ready to dismiss it as this decade's version of Robert Coover's "classic," "The End of Books." A number of blogs that I follow have been moderately aflutter in the wake of Kelly's article, which is normally a good sign, but then there's that exclamation point in the title. Never been fond of the exclamation point.

And predictably enough, it's precisely those places that warrant the exclamation point that I have the most trouble with. (for a nice critique of Kelly's hyperbole, along with a comment thread where Kelly himself makes an appearance, try Nicholas Carr.)On balance, though, the article was a good one. So here's the deal (this is Carr's summary):

By scanning, digitizing, and uploading the words printed on the pages of the dusty volumes caged in libraries, he says, we will free those words of their literal and figurative bindings. They will merge, on the web, into a greater whole providing a greater good:
The static world of book knowledge is about to be transformed by the same elevation of relationships [that we find in hyperlinked web sites], as each page in a book discovers other pages and other books. Once text is digital, books seep out of their bindings and weave themselves together. The collective intelligence of a [digital] library allows us to see things we can't see in a single, isolated book ... All the books in the world [will] become a single liquid fabric of interconnected words and ideas.

You will no longer have to read books piecemeal, one by one. Instead, says Kelly, you'll be able to surf from book to book "in the same way we hop through Web links, traveling from footnote to footnote to footnote until you reach the bottom of things."

I think that Kelly underestimates the amount of power and cultural inertia that books, and specifically book publishers, have for us, almost as much as Coover did. Telling for me is the comment from the CEO of HarperCollins, who doesn't "expect this suit to be resolved in my lifetime." I think that the front-end of Kelly's vision will ultimately prove to be a lot more problematic than any of us could possibly imagine.

But for me, that's not the biggest issue, although I can see how it would be for many people. Kelly's essay is less like Coover's and more like Vannevar Bush's As We May Think, now more than 60 years old. In fact, it would be instructive, I imagine, to place the two side-by-side in a course, and, barring references to the technologies of the time, see how closely they resemble one another. Bush's Memex runs on microfilm because that's what he's got technology-wise, but otherwise, there's a similarity in the vision offered by the two articles despite their temporal distance.

One important difference, though, is that Bush is fairly specific about the utility of the Memex--he begins his essay by highlighting a crisis in research that has certainly not abated in the past 60 years:

Professionally our methods of transmitting and reviewing the results of research are generations old and by now are totally inadequate for their purpose. If the aggregate time spent in writing scholarly works and in reading them could be evaluated, the ratio between these amounts of time might well be startling. (Bush)

In other words, the Memex (and by extension here, Kelly's "liquid") is most useful for people who use books in a more extensive and varied sense than mere consumption. This is not to say that consumption is somehow "less than"--goodness knows, I do my fair share of consuming books--but I use books in a different way than most of my non-academic friends. Lots of different ways.

The real magic will come in the second act, as each word in each book is cross-linked, clustered, cited, extracted, indexed, analyzed, annotated, remixed, reassembled and woven deeper into the culture than ever before. In the new world of books, every bit informs another; every page reads all the other pages. (Kelly)

Setting aside the hyperbole of this passage, what I see is a pretty fair description of some of the things that I do when I do research and write scholarship, although I can't speak for how deeply I weave my words into the culture. But my point is that this is a particularly "academic" list of goals for the vision that Kelly offers. His attempts to tie this universal library to other pop phenomena, though, is less persuasive for me:

Just as the music audience now juggles and reorders songs into new albums (or "playlists," as they are called in iTunes), the universal library will encourage the creation of virtual "bookshelves" — a collection of texts, some as short as a paragraph, others as long as entire books, that form a library shelf's worth of specialized information. (Kelly)

Well, sort of. I think Kelly's right to note that this model will work for reference books (e.g., cookbooks, travel guides), because those are pop genres that are specifically built for use in a way that most other books are not. But I'm less convinced that short story anthologies, say, are going to take in the same way that iTunes playlists do, except among more esoteric subcultures. Like academia. Because to have a library shelf's worth of specialized information means, presumably, having to read that shelf's worth of information, whether front-to-back or side-to-skipping-side.

Despite some skepticism in my tone here, though, I like this essay. At the same time, I don't think that the vision offered by Kelly is quite as universal as he imagines, regardless of whether we're able to achieve it. I do, however, fervently believe that this vision will transform academic work (and other fields where research is a core element). I don't think that it's immodest of me to suggest that what we're doing with CCC Online represents baby steps in the directions that Kelly suggests, and so I'm particularly conscious of all the compromises and difficulties that even a single step in this direction entails. Like Steven, I believe that what's most interesting about this article are the hints towards "what kinds of writing and reading practices will emerge as all these books take on new digital lives," but I think that those will take even more time to sort out.

That is all for now.

July 9, 2006

Party like it's 1996

This is not the rant I alluded to a post or few ago, but it is probably going to be a bit of a rant. Over the past couple of days, there have been a number of appeals in various fora for feedback on the "Technology Section" of the WPA Outcomes document. You can follow the link to look at the comments thus far offered, but allow me to reproduce it here:

Computer Literacy

Multiple problems arise from constructing any set of prescribed first-year outcomes relating to technology. Two problems are foremost:

(1) Schools and students who have access to technology are more likely to have the prescribed knowledge or skills than students who have limited access to technology. By imposing a set of outcomes related to technology, we are making school harder for those who are lower in the socioeconomic spectrum of society and consequently have less access to technology.

(2) Teachers may be encouraging a non-critical approach to incorporating technology into writing classes.

Teachers need to avoid using technology for its own sake (and for the sake of those who sell it); on the other hand, students who have a critical awareness of technology and how to use it when writing are more employable than students who do not. Within those parameters, we propose the following set of outcomes:

By the end of first-year composition, students should have a critical understanding of digital literacy, including:

  • use the computer for drafting, revising, responding, and editing.
  • employ research strategies using electronic databases
  • conduct web-based research and the evaluate online sources
  • understand the difference in rhetorical strategies used in writing traditional and hyper-text prose/graphics.

Okay. I'm going to set aside the strange language of describing this as a "techno-plank," and move straight to the fact that there are 3 big advantages to posting this in blogspace. First, it allows for the posting of comments. Second, given the right platform, it would allow interested parties to subscribe to an RSS feed of the follow-up comments, rather than having to visit the page repeatedly. Third, placing it online allows for links to be placed to the WPA homepage and/or the original Outcomes Statement to which this is intended as an addition.

Color me nitpicky, but this page only manages one of three. On the third point, I tend to remember URLs, but otherwise, I would have had to look it up, and from the homepage, the Outcomes Statement is 2 levels in, and that's if you're lucky enough to guess that it's in the WPA Guide, and then that it can be found among the WPA Position Statements and Resolutions. It's all but buried in the site. Frankly, that's too much work to accomplish what seems to me to be a pretty natural task request--the ability to access the larger document of which this may soon be a part. The page accomplishes the 1st advantage, and I can understand why the 2nd wouldn't be seized upon--it's a fine point and requires more familiarity with blog platforms than most of my colleagues probably possess. The third point, however, is pretty basic and reasonable.

But that's just form, you might argue. At least it's up there. And yes, I agree--it is up there. So let's turn to the statement itself. Some of my exasperation with the statement is mitigated by the purpose of the OS in general: "These statements describe only what we expect to find at the end of first-year composition, at most schools a required general education course or sequence of courses." In other words, I understand the problems that "outcomes" present, having written a few in the course of my own career. And yet.

It says something, I think, that the OS in general strongly asserts the importance of expertise and authority, while this technology statement's overwhelming tone is one of apology and qualification. The OS explains that "th[is] document is not merely a compilation or summary of what currently takes place," but rather an attempt to "regularize" expectations. In other words, the document makes some room for asserting goals rather than simply reflecting a status quo. And if my impressions of how this document is typically deployed are correct, then its primary audience is administrative.

Then why would it begin with a statement about why it should be ignored? This self-refutation takes up nearly 50% of the statement itself, and basically allows an audience to dismiss it. We all know that access is uneven. What we all don't seem to know is that access to literacy is similarly uneven. "[T]hose who are lower in the socioeconomic spectrum of society" are also likely to have more trouble accomplishing the goals of the main OS, but this isn't posed as the sizable obstacle that it is here.

The second objection? I don't really know what that means, although I suppose there are hints below: uncritical appears to involve "using technology for its own sake (and for the sake of those who sell it)." If I wanted to get really snarky about this, I'd talk about how many textbooks (themselves a technology) are assigned for their own sake (and never or rarely used) and/or for the sake of those who sell (and/or write) them. Maybe the parenthetical above is a swipe at the class-in-a-box people, but it's a little ironic that it's just as applicable to the class-in-a-book people.

So how bout we start this statement with the kind of positive, assertive statement that chracterizes the main OS? Something like:

Although writing has a long and varied history, as we enter the 21st century, it is essential that we recognize the crucial connection between writing and information technologies. Computers are no longer (if they ever were) souped-up typewriters; the Web and the Internet more broadly have transformed writing at a fundamental level. As a result, responsibly designed writing courses, at every level, can no longer afford to ignore technology.

I like that a lot better, but then, I'm not a WPA. To my mind, in a document for administrators, the "foremost problem" shouldn't be either of the two offered. I would add a paragraph to the end of the statement explaining that resources and training, for teachers, are a vital part of supporting these outcomes. I would cast this as an ongoing investment for which the outcomes are the reward. But that's me. I'm pretty sure that whatever "uncritical" actually means, it has more to do with a lack of pedagogical support than it does with teachers shilling for companies.

(btw, "on the other hand" students "are more employable"?? That is the only statement of technology's value in this entire document. Wow. That's really really weak. Really. And no, the main OS doesn't "justify" writing, but it also doesn't undercut it.)

The specific outcomes are pretty vanilla, although I would argue that they were no less true back in 1996 than they are today. Is it possible to bring them forward without dipping into specifics that might become obsolete a year or two down the line?

"use the computer for drafting, revising, responding, and editing"--it's hard for me to imagine that this is actually necessary any longer, but oh well. It would have been a goal rather than a baseline minimum back in 1986. I'd prefer to see something about multiple platforms (including word processors) used in the composing process.

"employ research strategies using electronic databases"--odd phrasing. Employ strategies using the databases? How about developing an awareness of the variety of search strategies made possible by the combination of physical and electronic information sources?

"conduct web-based research and the evaluate online sources"--I'm not sure why this and #2 are separate. Far as I can tell, they're the same outcome with different sites. Unless we're going to indulge the assumption that nothing is published and available in a database that needs evaluating with the same "critical" eye. Nope. We're not. Combine these two.

"understand the difference in rhetorical strategies used in writing traditional and hyper-text prose/graphics."--Okay, this is fugly. First of all, false binary. Second of all, "hyper-text"?? Qu'est-ce que c'est? Third of all, "prose/graphics"? How about an awareness of the effect that media have upon rhetorical strategies, preferably achieved through the production of a varied range of texts (look under Processes in the main OS, and you'll see that this is already there, btw.)?

So far, I've just taken what they've offered and revised. Do I have a wishlist? Oh yes:

  • Some appreciation/understanding of the rhetorical impact of design in various media
  • Some introduction to the cultural impact of technology in particular venues
  • Some experience with social software, whether it be email lists, MOOs, MMORPGs, blogs, wikis, social bookmarking, facebook, myspace, etc.

That's top of my head stuff, but I'm sure if pressed I could generate others. There's the problem of outcomes statements, of course, but surely we could be asking a little more than this document currently does. And we could be apologizing for it a little less. Prefacing an outcomes statement with the reasons why it's problematic just strikes me as self-defeating.

And while all this certainly sounds like I don't appreciate the work that undoubtedly went into this statement, that wouldn't be correct. I recognize how tough stuff like this is, but I think it's also important to realize the opportunity that it represents, and that opportunity isn't served well by some of what appears there.

That's all. I hope that the conversation that ensues at the WPAC next week is productive.

Update: the 4th advantage of blogspace is trackbacking, so that long-ass, windy rants like mine can be recorded on the site itself. Oh well. Maybe I'll leave a comment there, pointing.

Update 2: I forgot to link to Jeff's comments about the TOS, which prompted me to look at the thing in the first place. D'oh.

July 21, 2006

Searching and hoping and thinking and praying

Last week, when I was young and impetuous, I made a couple of suggestion re the WPA Technology Outcomes Statement. In the interests of positivity, I thought I might revisit one of the suggestions, namely

How about developing an awareness of the variety of search strategies made possible by the combination of physical and electronic information sources?

One of the things that I think is hugely important here is that too many think "search" is simply a single process, delimited by pluses, minuses and quotes. "Strategies" too often refers to the ability to narrow your Google results down from 1 million to 50,000 or so. Problem is that this vision of search is not unlike bobbing for apples. It's a little flip of me to say so, I suppose, but it's true. And at one point, that's what web tech and search tools permitted.

With Google, the tools improved. The strategies? Not so much. For all of the good that Google did, driving out some truly horrid site design and searches so slow you could almost hear the hamster running in the wheel, PageRank was a huge advance that made us pretty darn lazy. There's still plenty of value to be had from Google, but it's still an information retrieval service. I use it on a daily basis, but I use it in a very specific, constrained way that takes advantage of speed and the particular needs I have.

What's happening now is something that Ebrahim Ezzy calls "Search 2.0" over at Richard MacManus's Read/Write Web:

Third-generation search technologies are designed to combine the scalability of existing internet search engines with new and improved relevancy models; they bring into the equation user preferences, collaboration, collective intelligence, a rich user experience, and many other specialized capabilities that make information more productive.

Yeah, yeah, third-gen but 2.0. Where this essay (part 1 of 2) potentially misleads is in the implication of 2.0 as something that will replace 1.0, when it's more likely that they will work in concert. One of the things that these new search engines have in common is their potential use specifically for Long Tail information. (I'll get to a review of that book one of these weeks.) The more specific the object of your search is, the fewer people there are who are likely to want it, and thus the less accessible it will be via Google, barring some arcane system of +this and -that. I'm not going to find a new book in my field via Google, unless it's to look up the web address of a publisher.

One of the things that Search 2.0 is about is not finding X, but finding Y who knows X. Here's an example: a friend asked me how I find new music. Usually, it's a combination of three things: what my friends (with similar tastes) are listening to, what selected reviewers (with similar tastes) are recommending, and what iTunes tells me are the proximate bands, songs, and playlists.

Let me talk about that last for a second, because it can sound counter-intuitive if you think about it. I'm talking about "searching" for something that I already know/have, in order to see what else is in its neighborhood. We do it in the library sometimes, right? If we know one book is useful, we might see what else is on the shelf around it. Now think about a service like del.icio.us as a site where thousands of users are building dynamic shelves or neighborhoods. Bookmark an article that you know you want to work with, and you can use del.icio.us to find all the other users who are bookmarking it, all the other things they've bookmarked beside it, and the terms they've used to categorize it.

Goodness knows, these systems and engines are far from perfect. Nick Carr, for example, observes that sites like Amazon are limited in their usefulness:

Fallows makes one observation that hits home with me. He describes how underwhelming he finds all the automated product recommendations that are always being thrown at you on the web. "In nearly a decade with Amazon," he writes, "I've yet to experience the moment of perfect serendipity when it discovers a book I really like that I wouldn't otherwise have known about." I, too, have been waiting years to experience that moment - with Amazon, with Netflix, with iTunes, with all of 'em.

These are Long Tail companies with Short Head motives, and so this isn't that surprising to me--their market share is built on factors other than specialist searches (like convenience, e.g.). I find Amazon almost completely useless for automated recommendations. But they also enable more specialized, community recommendations, and these I've found useful. If I've liked several of the books on a Listmania list, there's a good chance that I'll add one or more unread ones from it onto my Wish List. And there are a few situations where I've found autorecs useful, like when I'm returning to a particular genre after a hiatus, for instance.

As some of us non-science disciplines start to catch on to the benefits of these kinds of networks (e.g., AnthroSource, MediaCommons, et al.), the tools will exist that allow alot of people to bypass Google altogether. Not that the occasional apple bob isn't necessary, mind you, but it shouldn't be the first and last step.

The other little piece of optimism that I have is this: once we start acknowledging the value of this kind of searching and KM, then perhaps more broad-based support will exist for the construction of resources that take advantage of it. Imagine the iTunes interface, for instance, as a gateway to the scholarship in a discipline, where professors can put together "playlists" of texts in the same way that users now publish mixes, only these playlists are the syllabi for the graduate courses taught in the discipline or the bibliographies of our articles and books.

What I come bumping up against again and again is that we're too accustomed to treating our expertise as disposable. How many hundreds of times a year do we put together carefully thematic and specifically paced syllabi/playlists, only to bury them in desktop folders and wastepaper baskets? We don't collect that information in any systematic fashion because our vision of the web lacks an understanding of the motivation behind links and networks. Google was successful precisely because PageRank algorithmizes that motivation, and if these Search 2.0 tools succeed, it will be by leveraging the networks even further.

I hope we're not still bobbing for apples.

That's about it from me. There's some spots above that probably need filling out, but it's getting late. This is part of what I mean when I say that we need to understand search better, both for ourselves and for our students.

(Almost forgot: Dean)

August 10, 2006

CCCO thoughts

Over at if:book, Ray Cha relays and recommends an upcoming chapter from Clifford Lynch, about moving beyond "reader-centric views of scholarly literature." It has much in common with Franco Moretti's work on literary history, and is worth reading for that reason alone.

But I'm also on the lookout for ways to articulate just what it is we're trying to do with CCC Online, and Lynch's piece fits the bill. Namely...

We would also see an explosion in services that provided access to this literature in new and creative ways. Such services would also incorporate specialized vocabulary databases, gazetteers, factual databases, ontologies, and other auxiliary tools to enhance indexing and retrieval. They would rapidly transcend access to address navigation and analysis. One path here leads towards more-customized rehosting of scholarly literatures and underlying evidence into new usage and analysis environments attuned to the specific scholarly practices of various disciplines.

We would also see a move beyond federation and indexing to actual text mining and analysis, to the extraction of hypotheses and correlations that would help to drive ongoing scholarly inquiry. Indeed, the literature would be embedded in a computational context that reorganized and re-evaluated the existing body of knowledge as new literature became available.

That excerpt separates nicely into what I think we're already doing at the site, although not perhaps to the extent that Lynch imagines it, and the second half, which in many ways is the prize that we've got our long-term eyes on. If you don't think we're watching projects like this and this, well, you don't know us very well. Heh.

I'm less worried about the potential objections that Cha raises at the end of his post--"Purists will undoubtedly frown upon the use of computation that cannot be replicated by humans in scholarly research"--than I am about getting to the point where such objections can be raised. In other words, I believe that such work, if it can generate compelling results, will override knee-jerk complaints. I think it's also going to be necessary, in our own field at least, to be very careful to qualify the value of this work appropriately. Not that that's always been enough, especially when it comes to quasi-statistical work, which tends to run afoul of the old "me humanities. me hate math." goofiness.

Two other points. First is one that I'm guessing some people will not appreciate, and that's that, to an extent this work is fairly easily decoupled from the "open access" that appears to drive Lynch's piece. That is, the value of data mining is offered as a consequence of open access, and while that is true at a very large scale, I think it possible to do quite a bit in this area without it, honestly. We're able to work around providing the metadata we wanted without having to open up the journal's content, even if we might have preferred it otherwise. And I think that some pretty entrenched attitudes will need to change for what Lynch describes to be more than a thought experiment. Not that they shouldn't change, but I'm not sure how far they actually need to, for this at least.

Second point is that we use a fairly small, fairly simple suite of tools to do what we're doing now. We had to cobble stuff together, and we've done so fairly successfully, but it shouldn't go unmentioned that a couple of good programmers would go a long way towards making this a lot more doable. Personally, I have enough ability to tweak, and I'm pretty good at making MT modules do what I want them to, but we spent a fair bit of time just cobbling. I'm conscious of how much more efficient our system could be.

And yeah, it's only one journal that we're working on, and all things considered, we really have to pace things more slowly than I'd like. But it's also our flagship journal, and if nothing else, we tackled the biggest job first, in designing and testing it on CCC. There's going to be some real value in what we're doing, even if it doesn't hit the scale that Lynch imagines. And we're a pretty solid model for how to accomplish these goals on both a small scale and approaching it from the bottom up.

That is all.

August 13, 2006

Alfred Hitchcock, Fidel Castro, and Collin vs Blog

All 3 have a little something in common that I like to call August 13th. Well, me and the rest of those who adhere to the Gregorian calendar. Anyhow, I am pleased to note that the blog, it has a birthday today. Three long years since I began bee-loggin, and as I thought about this post yesterday, I decided that I didn't feel like trotting out the reflection so much. Not that I might not in the next week or so, but for the moment, I'm not really in the mood to craft a long introspective post.

So instead, what I did was to put together a tagcloud that does a pretty fair job, I think, of visually representing the true and aggregated character of this space as I've maintained it for three years:

tagcloudish

Looks about right. That's all. Happy birthday, blog.

August 22, 2006

Coming soon, to a theater near you...!

My reaction has been mixed to the new suite of Geico commercials, although I am forced to admit that they are a serious improvement upon the "meta-gecko" crap they've been serving up. If you haven't seen them, "real Geico customers" are paired up with celebrities like Little Richard, Charo, and Burt Bachrach. Bachrach was just plain weird, but it's actually grown on me.

Anyways, one of the commercials features the guy (or one of them, anyway) who does the voiceovers for movie trailers. The commercial is utterly predictable, as you might imagine, a quasi-emergency headed off by Geico, blah blah blah, all done in the MovieGuy voice.

Which brings me. At the risk of appearing to be piling on when what I sort of hope to do is to pile up, I wanted to pick up a couple of the threads that appear in posts by Jeff and Alex, which themselves respond to an if:book post noting Kairos's 10YA. Are we all linked up? Good.

When I went over to Jim Kalmbach's retrospective in Kairos, my response was fairly similar to Jeff's. As I began to read the piece, though, as I read this:

Undaunted by this mystery, they set out to create an online journal that would explore the intersections of rhetoric, technology, and pedagogy, or as Michael Salvo (Doherty & Salvo, 2002) put it:

With Kairos, a handful of graduate students in half a dozen states, with no budget and no sense of what was and was not possible (or acceptable), created something that caught (and continues to catch) peoples' attention.

Here's where it comes together. I couldn't read this passage without MovieGuy's voice intoning it: "In a field stagnant and dominated by print ideals....a band of plucky graduate students...with only the clothes on their backs...armed with an idea and the will to change a discipline...."

This may be snotty of me, I admit. I honestly have nothing against Jim, whom I don't know, nor Michael, whom I consider a friend. In a lot of ways, this folds into Jeff's ruminations about recognition, and the way that "epic tales of struggle and triumph" tend to obscure all of the other tales. And I react against it here, in this case, not because this is an especially egregious example, but rather because the overall pattern is one that I see repeated with some frequency. The "call" is one strategy that's part of it--it's a way of "being first" without actually "being first," and I say that as someone who's issued my fair share of calls.

Jeff's right, I think, to note that we could do a better job of understanding the way that we direct attention, and the thing that "hero narratives" like these do is to direct attention squarely and solely upon the hero. This is an attitude that's been critiqued heavily in terms of pedagogy, for the degree to which other factors, often beyond the pedagogue's control, play as great (if not greater) a role in the classroom as the teacher hirself.

Writ disciplinarily larger, and here it's important to note that this Kairos piece is far from singular in this regard, I see calls for the kind of work that is already going on, but perhaps unknown to the caller. I see histories of "the field" that only recognize certain people as belonging to the field. I see "critical overviews" heavily shot through with self-citation. None of these things I find particularly pleasing. Or particularly critical. Or especially productive.

Now, it's going to be easy to read this list and wonder who I'm talking about in "our field." But, and this is part of my point, it's not just "our field" that I'm talking about. Technology cuts across many fields, and in some places, I'm talking about people that aren't even recognized as part of "our field." I bet you think this rant is about you. Don't you?

Similarly easy to think that I'm just sour graping it. Will all my posts from here on out be bitter reflections on my lack of recognition in the field? Well, yes, but that misses the broader point that all of these things, which in an unkind turn of phrase I might call self-promotion as scholarship (rather than self-promotion of scholarship), function to reinforce some of the tendencies that Alex notes in his post. I may print out the following and tape it above my desk:

A new multimedia scholarship that essentially does what we've always done, only with video and links, isn't worth the trouble it takes to create. A new medium means a new epistemology and not a predefined one held out manifesto-style like an ideological holy grail (though those can be fun to write sometimes). At the same time, though experimentation for its own sake is a necessary part of this, ultimately a new multimedia scholarship must respond to some exigency.

Back in the halcyon days of hypertext, end of books and all that, the assumption was that, if we start replacing books with hypertexts, pretty soon the snowball rolls under its own momentum, and voila! cultural paradigm shift. If you think that this is too glib an account, just go back and read some of it. What some of us, I hope, learned was that the book, for its various faults, did certain things well. Also, it had a couple of hundred years to diffuse into the culture, through attitudes towards authorship, commoditization, education, and all of these different spheres of activity, none of which was especially ready to see books wither on the vine. Plug hypertexts into that culture, and nothing much happens. "Books suck" wasn't much of an exigency. Of course, now that we call hypertexts by the various names of blogs, wikis, SNSs, discussion fora, you could argue that they've had a much greater effect, but I can't help but think that would be cheating just a little.

The moral of this little tale is that a lot of that early scholarship believed, in an astoundingly self-assured way, that you could just pluck out one medium, sub in a newer one, and change would radiate outward. So when Alex implies that Kairos is to a degree constrained by its operation within a fairly traditional, academic attention economy, I think he's spot on. Cheryl asks:

Others are doing on the web what Kairos wants to do. We see that. I see that and totally acknowledge it’s happening. So is it wrong to “call� for some of that action within the server space of the journal itself?

Maybe so, even though that's not the answer the question wants. At the very least, it's no less wrong to call for an electronic journal to blur the focus on emulating print, such that that "action" might happen. Years ago, I tried to argue unsuccessfully to push Enculturation away from the "event model" of journal publication, which is grounded in an economy of clerical and print scarcity. Why would an electronic journal need to publish simultaneous issues? thought I. Years later, and my writing has moved well away from event model poetics, enough so that deadlines are mind killers for me these days. I will count my blogwork in my tenure file the way that other performance disciplines count their work--I don't need a journal to validate it. It's led to other things I can count, like interviews with media outlets, invited talks, etc., all (of course) outside "our field," but oh well.

I feel like I've swirled myself around a bit here. I guess I should close by noting that, despite a little pessimism and skepticism, I do believe that we're slowly inching our way outside of the constraints of the academic economy. Like Jeff, I may come off here as critical of particular efforts, but also like him, I think, I find it more a function of a system than any particular agent within the system (and I'm an agent within the system, too). If it sounds like I'm waffling between "breakin on through to the other side" and "working for change from within," that's because I am. More and more, I find myself unsatisfied with either option, mostly because each requires me to think of my work at a scale that I don't find particuarly productive. My attitude is still a work in progress, I fear.

Snip, snap, snout.
This rant's told out. (#)

September 15, 2006

The off-4Cson

My title only works when you understand that 4Cs is pronounced "four seas." I'm just saying.

Unless you happen to be involved with the behind-the-scenes work of the conference, there are basically 2 times during the year when the dreams of rhetcompers turn to their annual conference. The first, and most elaborate, is March, when the conference itself happens. The second, though, is right now, the week when notifications are made for the following March. Word on the street is that the conference acceptance rate is now hovering somewhere around 33%--that there were maybe 600 accepted out of about 1800 submissions. Hard to know exactly how those numbers play out--some proposals are for 3-5 person panels and some individual--but still, it's a pretty big deal.

So it was a little aggravating this week, as everyone was receiving their notifications, to not receive my own. I did hear about a panel that I'm chairing, but that only served to confirm that my email was indeed working. As I noted a couple of years ago,

Notification is always something of an odd season around grad programs--on the one hand, CCCC is selective enough that you expect a little bit of congratulations; on the other, no one really asks anyone else, for fear that they didn't get accepted.

So I pretty much just kept my mouth shut, and vowed to give it a few days, figuring that if I hadn't heard by this weekend, I'd fire off a Monday email to see. Well, my patience was rewarded with the news today that Deb Holdstein, Derek, and I will be doing a Featured Session at the 2007 CCCC, one where we talk about the relationship between the journal, both print and online, and the discipline. Rock. Roll.

I think the plan to is to do some revising to the text of our abstract, and perhaps even the title, so once that's done, I'll be sure to post it here. In the meantime, I'm just going to sit back and bask in the glow of the fact that our work on CCCO is going to be featured in disciplinary primetime. CCCC was really the last piece of a speaking puzzle for the year that includes four (four!) different conferences and perhaps a job talk or two. Hence the whole lot of talking that I referred to a couple of days back. And hence the recent addition to my speakerly arsenal. I can't guarantee that I'll be good, but I'll almost certainly be better.

That's the plan, anyway.

October 11, 2006

Visualizing Meaning

There's a really cool project just down the road from me at Cornell: Visualizing Meaning, which asks Cornell profs to submit an answer to the following question:

Of the many charts (graph, map, diagram, table and ‘other’) you have seen in your life, which has been the most important, remarkable, meaningful or valuable?

It's not a question bound to result in a huge range of answers in our own discipline, unfortunately, but browsing through the various submissions is an interesting process. I do wish that the index were tagged with a little more information than where the person lands alphabetically among Cornell's at-the-time-1943 faculty members (I assume that #s 1943-1982 are new faculty), but the lack of information prompted me to browse more generally, so I guess it's okay.

The question doesn't necessarily require a disciplinary answer, but as I think about it, I come up with few answers. I could certainly borrow illustrations from Tufte, Wurman, or other visual rhetoric oriented texts, but beyond communication models (Jakobson, Shannon/Weaver, Kinneavy), it's hard for me to recall specifically disciplinary charts that I might submit to a project like this. Porter and Sullivan's Opening Spaces or Clay's Tracing Genres Through Organizations pop to mind, but little else.

Thoughts?

October 13, 2006

Support the Commons

I just did.


October 21, 2006

Collin's Clever CCCC Cluster Cloud

Speaking of CCCC, or of the CCCCCCCCC referenced in my title (8 Cs!), Derek and I were yappin tonight about how we might go about indexing the CCCC Program using TagCrowd, a tool I came across via Jill and recommended to Jenny. It overlaps a fair bit with what we're doing over at CCCOA, but one difference is that TagCrowd allows you to upload a file, whereupon it generates a cloud of frequent terms.

So here's what I did:

1. I went to the searchable program for the 2007 CCCC, and searched for all panels under the 106 Area Cluster (Information Technologies).

2. I added each of the 50 or so panels to my "Convention Schedule," and then hit the button to email it to myself. The result is a window with all of the panels & descriptions in a text file. Copy and paste into TextEdit.

3. I stripped out all of the speaker information, including titles. I could have left the titles in, but it would have taken longer (and been a little more debatable in terms of focus).

4. Find/Replace on 2-word phrases (new media, social software, et al.), variants (online and on-line), making them a single word in the case of the former and standardizing in the latter. (I thought, too, about just deleting "speaker," which appears in the prose with some frequency.)

5. TagCrowd the file, and voila!

Tagcloud for Area Cluster 106 (Information Technologies)

You can look at the bigger graphic over at FlickR, but here's a cloud of the 100 most frequently used terms in CCCC proposals for the 106 cluster. "Speaker" and "presentation" are throwaways, and you could argue the same for "discuss" ("In this presentation, Speaker X will discuss...."). Looks pretty sensible to me--I'd say that blogging and Facebook are the flavors of the year. I may have caused the word "remix" to drop out of the cloud by not including titles--I'm not sure.

One caveat is that not all the panels included prose descriptions--that may just be a matter of time, though. Again, I'm not certain.

One thing I do know, though, and that's that this whole process took me less than an hour, and it would be child's play to go back in, and do it for each cluster, as well as all of the "focuses" and "emphases." Not that I have the time, energy, or schedule to allow me to do so. But it's a fun little experiment, nonetheless.

(I should mention, if anyone sees fit to do some of these, that TagCrowd allows one to create a blackredlist of terms that won't be included. In addition to speaker, presentation, and discuss, I'd probably (were I to redo this one) add become, consider, examine, important, include, and panel. They function here as mostly empty proposal jargon.)

That's all.

November 4, 2006

Folksonomies

So yesterday, Liz posted a request for discussion in anticipation of a session she's doing at a CSCW conference on folksonomies:

Is this a reasonable statement to make?
  • Tagging is the process of adding descriptive terms to an item, without the constraint of a controlled vocabulary
  • Folksonomy is the aggregation of tags from one or more users
Yes? No? Discuss.

I spent some of the day yesterday first figuring out what I thought, and second figuring out that it would be better expressed here than in the form of an overly long comment. And in the meantime, many of the things that I thought eventually appeared in the comments (of course). Even so, I thought I might wax a little old school here (since this conversation is actually almost 2 years old), and just write through some of the stuff I'm thinking about. I use the terms tagging and folksonomy without thinking about them much, and so reading through the comments thread and contemplating my own response has me teasing out my own terminology in a way that typically stalls me out --things get complex quickly enough to the point where I have to turn to other, more pressing demands on my time, and this has been much the same way. We'll see if I can place the pieces into something resembling a sensible order.

So, what is a folksonomy? One of the ways that I approached this question is to think about what folksonomy's other is. In other words, what is the term (or terms) or idea that folksonomy differs from? At first blush, that's an easy enough question--most descriptions of folksonomy make note of the fact that it blends folks and taxonomy, and the latter is its point of comparison. Taxonomies are top-down, folksonomies bottom-up. Taxonomies are consistent to the point of inflexibility, while folksonomies are fluid, dynamic, etc. So far, so good.

As I was browsing around (Weinberger, Vander Wal, et al.), though, I think one of the things that tripping me up is this apparently simple binary. Like DW, my assumption about folksonomy was that it referenced the order that emerges from the process of tagging ("I had been thinking that a folksonomy is one way order emerges from such set of tags"), as opposed to the kind of order that is imposed upon a set of data from above. In other words, I think that I've been assuming, ultimately, that taxonomies and folksonomies are two paths to the same endpoint.

But I think it's important (now) to note that the two paths lead to very different ends, a point that TVW's use of the term has slowly moved me towards. There's some overlap, to be sure. Taxonomies are forms of organization, but they are often also placed in service to other goals. DW has a nice riff on the Dewey Decimal System, for instance, that makes note of the ethnocentrisms and nationalism involved in the DDS, cultural asymmetries that are "necessary" because the DDS isn't meant as a mapping of all human knowledge but as a means to map out various libraries in this country. There is some practical value to spreading out call numbers evenly across the books on the shelves, even when those books reflect (and to be fair, construct) a partisan perspective. However, there's an extent to which taxonomies are (or strive for) an optimal representation of whatever data are being classified.

From a recent presentation, TVW explains that "People are not so much categorizing, as providing a means to connect items (placing hooks)," and that helps me get at what I'm looking for here. At the risk of trotting out another binary, there's a product/process difference here. Folksonomies involve order on at least two levels. One is the personal vocabulary of a given user; folksonomies are intrinsically social to the same degree that language is, but they need not involve multiple users (although they often do). This is TVW's distinction between broad and narrow folksonomies, I think. A narrow folksonomy is likely to express order only at this first level, in terms of a user's vocabulary. The second level of order comes from the broad, more social folksonomies, where many people are tagging the same object so that particular patterns emerge. For example, the top 10 or so tags for the article I just linked are folksonomy/folksonomies, tagging, tags, del.icio.us, flickr, metadata, socialsoftware, classification, taxonomy, and article. The tags across users (250 or so in this case) acquire a certain amount of stability.

These two "levels of order" I'm describing correspond, I think, to TVW's two "triads" (slide 32 of the presentation linked above)--one grounded in "identity" and the other in "community." The trick, I think, is that for taxonomies, there is no corresponding "identity triad," and so setting the two in simple binary form predisposes me to see only the second level of order as being "properly" described by folksonomy. And thus I was initially tempted to say that folksonomies are necessarily social (in the multiple user sense).

In a sense, then, I guess I'm working around to the idea that folksonomies are activities rather than systems or products, despite the fact that things like tagclouds, as visualizations of those activities, offer a static impression of those activities. A lot of the analysis that I see in TVW's work speaks of the trending that folksonomies allow, and that works for me with defining it as an activity--there's an extent to which a single tagcloud, produced in a given moment, only has value when it can be compared synchronically (to other clouds) or diachronically (to other versions of itself).

That's probably enough for now. I've got 3 or 4 wiggling threads that I want to pull on a bit more, but it's getting late. And before you say it in my comments, yes, I realize that I'm arriving here at ideas that have been circulating for more than a year. My point here hasn't been so much to say something new as to say it for/to myself.

And to satisfy the demands of November 4th.

November 5, 2006

For example, trending

I've seen this link crop up in several places over the last week or two, but you never know who's seen it or not. So...

Chirag Mehta's Presidential tagclouds

Chirag Mehta has generated tagclouds for Presidential documents/speeches (State of the Union Addresses and others), going back to 1776, and offered them for your perusal. (Usability note: I found it a lot easier to use the arrow keys to move the slider back and forth one at a time, but didn't figure out that I could use them until the fourth time I visited the site...)

It's an incredibly cool project, and what we're doing over at the CCCOA is obviously related, although our output is structured in different ways. Although we've got other things occupying our front burners at the moment, this site has definitely got me thinking about how we might build on our work there. More broadly, and perhaps relevantly, it's also got me thinking about how visualizations of trends in language usage might be folded in to some of the work we do in our field.

That's all.

November 20, 2006

Isn't data "beneath the metadata"?

For the most part, this is just a placeholder for links to Elaine Peterson's Beneath the Metadata: Some Philosophical Problems with Folksonomy, to David Weinberger's reply and Tom Vander Wal's reply as well. I've got some work and at least one meeting before I can turn to them, but turn to them I will. It shouldn't take too much sleuthing to figure out where I'm going to weigh in...

November 27, 2006

Folks on Folksonomy

You'll recall that last week I promised to visit the following in more detail:

Elaine Peterson, Beneath the Metadata: Some Philosophical Problems with Folksonomy
David Weinberger, Beneath the Metadata, a Reply
Tom Vander Wal, Beneath the Metadata - Replies

Well, here I am. David and Tom have dealt pretty substantially with Peterson, and I haven't been following the discussions sparked by the pieces, so forgive me if I repeat someone else. I'm not going to write a full-scale essay here, but I'd like to make a few points.

First, a little context. One of my all-time favorite essays is Derrida's "Structure, Sign, and Play in the Human Sciences." It's one of the more accessible pieces of Derrida's writing, and tips the attentive reader off to a number of the themes that JD would revisit throughout his career. But it's always been a fave of mine because it lays out a particular rhetorical strategy that I've since seen repeated many, many times. Although it's not the sole focus of the essay, JD distinguishes between mythomorphic and epistemic discourses. I don't have the essay beside me, or I'd serve up some quotes. Mythomorphic discourse is fuzzy, messy, vague, imprecise, while epistemic discourse is much crisper, focused, organized. Think, as I think JD does, of the bricoleur and engineer, respectively.

The rhetorical strategy that the essay calls my attention to is a two-fold one. First, epistemic discourse emerges from the mythomorphic; one analogy I've always found helpful is the way that some slang eventually finds its way into "official" accounts of our language. The second move is that this latter discourse effectively seals itself off from its mythomorphic origins. You can see this 2-step as an early version of deconstructive reading, particularly of philosophical texts--much of JD's time is spent examining textual seams to find the messiness that has been disavowed by logocentrism. There is no small advantage for defenders of a system in disavowing its emergent origins--if a given system is simply "the way things are," rather than "the way things have become," then anyone seeking to change that system has that much more inertia to overcome.

I've spent a fair shake of time on this pattern because I think that Peterson's essay provides a fairly textbook example of the relationship that Derrida is working through in that essay. Like Vander Wal, I consider folksonomies and taxonomies "co-dependent" in that both are vital. But I think he underestimates the extent to which that position, which seems common sense to him (and me) is threatening to those who are consciously invested in taxonomy. It would be child's play to look at a given taxonomy, and to examine all the ways that it emerges folksonomically--Peterson's appeals to authorial intent ("...the goal is to recognize the author's intent over others' interpretations.") overlooks a vast network of classifications that emerge after "authorial intent" could play any sort of role. We don't categorize aesthetic movements, for example, prior to their instantiation by a given set of artists. But those categories ultimately become something akin to first principles, frames through which we understand the artists and works placed under its aegis, whether by "authors" themselves or by those who follow.

Peterson's essay, if it has one overarching blind spot, is that it cannot conceive of folksonomy in terms other than "A is not B," what she calls "the most important philosophical underpinning of traditional classification." And so, she doesn't see folksonomies and taxonomies in relation to one another; they are alternatives, from the first sentence introducing the former ("...folksonomy has emerged as an alternative to traditional classification."). All of the so-called weaknesses of folksonomy are weaknesses only if folksonomies are seen as an attempt to arrive at the goals of taxonomies through another means. Relativism is a Really Bad Idea when it comes to laying out a library, but pretty innocuous as an organizing principle for my home library, which tends to sort itself out according to how recently I've used a particular book.

I guess the point I'm working towards here is the assumption that Peterson uses to disavow the relationship of taxonomy to folksonomy: that because we can appeal to philosophical underpinnings when it comes to taxonomy, there must be corresponding underpinnings to folksonomy. The underpinnings of folksonomy, however, are rhetorical. Tags are about language-in-use, not about abstract definitional categories. They are addressed, even when the addressee is one's self at a later date. Folksonomy is bricolage, and so Peterson's conclusion that it makes for poor engineering is at once self-evident and a little inconsequential. Folksonomies are not "bad taxonomies"; rather, taxonomies are themselves folksonomies that have achieved a certain level of stability and intersubjectivity (this latter of which is mistaken by Peterson and others for objectivity). And part of the way that stability is achieved and defended is by denying the role that folksonomy plays in the origins of any taxonomy.

One more point, and I'll sign off. This is a point that I've been working at ever since my NFAIS talk last fall. There is no such thing as "search," at least not in the generic sense. The idea that all searches have the same premises and the same goals is mistaken. As you read Peterson, you'll see reference to categories, subject headings, search engines, etc. All of these references assumes a uniform model of search, one that I think of as "cold search," where you have nothing, and want something, and use the tools of taxonomy to locate it. (I think of this as the equivalent of cold call telemarketing.) And we search that way, sometimes. When we do, taxonomies are important.

But there's a different kind of search, which I'll call "social search," for wont of a better term (I'm open to suggestion). I also think of it as lateral search. I have something (some sources, a book, a favorite movie, song, whatever), and I want more of whatever I already have. So when I see a cover blurb on a novel that compares it favorably to something I've already read and liked, I'm more likely to buy it. When my friends with similar tastes recommend to me movies or music, I'm more likely to look into it. If I want more information about folksonomy, I can go to the Wikipedia entry on the subject, bookmark it in del.icio.us, and then trace out the network of others who have marked and tagged it. I don't need to start back at square one, break out Google, and try to narrow my search terms sufficiently.

The problem is that 90% (and maybe more) of discussions about "search" only think about cold searching. And honestly, folksonomies don't have much to contribute to the cold search, other than chaos. But for the stuff that matters for me, the culture I consume, 90% of my searches are lateral. My tastes aren't organized by the section headings in Barnes and Noble. The innovation of sites like Amazon, iTunes, del.icio.us and others is their ability to aggregate folksonomy (and yes, folksonomies are the Long Tail of classification) in productive ways beyond one's immediate social network. I never search Amazon using their taxonomies. I hardly ever find sources for my academic work by cold search. Most of my life is conducted easily and efficiently via folksonomies.

Damn. Every time I start an entry claiming that I won't write a full-scale essay, I write an entry that's far longer than normal. So I guess I'll stop here, and go work on other stuff. Although I will say that this has got me thinking about expanding this into a full-length essay. Not tonight, though, or even this semester.

That is all.

December 27, 2006

MLAccompli

As the regular reader will remember, this year's MLA kicked off with a stirring rendition of the second chapter of my book manuscript, with the unusually expository (for me, at least) title "The Rhetorical Canons as an Ecology of (New Media) Practice." Gee, I wonder what the talk was about?

Hee. Today was also the 3rd step in the epic self-transformation that will see me turn from a reader of conference papers to a speaker of conference presentations. I worked from an outline and from the slides, but otherwise, did not script the specifics. I think it went okay, but I do have to confess that the fellow in the 3rd row who used his cameraphone to take snapshots of each of my slides, and whose phone rang not once but twice during our session, was a bit of a distraction.

And yet, it was he who inspired me to go ahead and try out SlideShare, which is basically a YouTube-like service for PP presentations. Keynote exports to pdf, which I can then upload and turn into a shareable Flash doodad.

(Update: The doodad was taking serious download time, so I'm replacing it with a link to the SlideShare page instead. Those readers uninterested in unnarrated PP slides may now breath an appropriately grateful sigh of relief.)

The pdf option, far as I can tell, preserves original layout and font better, and has the virtue of being about 1/10 the size of a PP export. So even though there's no support for a Keynote native presentation, it works out just fine.

The slides themselves are probably a little oblique without commentary, so I'll use ProfCast when I get back to Syracuse and offer a full-service version. In the meantime, suffer in silence. I'm done with my talk, and have a much more leisurely conference ahead of me.

That is all.

January 8, 2007

SelfCCCCongratulations

Came into the office today to find a promotional flier for this year's CCCC:

front page of CCCC flier
back page of CCCC flier

Wait a second. Scroll down the right hand column there for me on the back. What's that?

who's a featured speaker?

That's right. For one brief, shining moment, I'm a rockstar. We're far enough in advance of the event that I don't feel any nervousness at all. And I can't have messed up or anything. Our featured session exists in a state of pure, perfect potentiality and as long as it stays that way, who's to say I'm not a star?

Well, okay. Lots of people. But I'd appreciate it if you didn't ask them, at least until after March.

That's all.

January 29, 2007

Revisiting "The Footnote, in Theory"

[x-posted at Rhetworks]

It's been too long since I tended to Rhetworks, but one of the first essays I took note of (and took notes on) when I started the site was Anne Stevens' and Jay Williams' "The Footnote, in Theory." My notes on the essay are hardly complete, but I do cite the essay with some approval and interest. At a time when I was exploring the disciplinary implications and applications of Franco Moretti's "distant reading," FIT was for me a nice example of what could be accomplished by aggregating what is a fairly occluded feature of academic prose, the footnote.

Stevens and Williams begin their essay with what I find to be a manageable and worthy set of goals:

We set out to determine, first and most simply, who and what works are most often cited in our pages. Second, we wanted to track trends and fashions, as well as constants. Over the past thirty years, theory has seen any number of upheavals and innovations, so we wanted to see if certain writers remained touchstones for our authors. Third, we wanted to investigate a related question, the question of the status of the footnote in our pages. Elaborating upon Anthony Grafton’s book The Footnote: A Curious History, we sought to investigate how theory is transmitted through notes, what sorts of conversations are held below the main text, and to thus discover in a different sort of way the identity of our journal, a journal that has been identified with theory for so long.

I quote their introduction at length for a reason. My main qualm with this essay is not a methodological one, although I think that their method does have its limits. As I commented in my entry on FIT, my biggest reservation is that there are a lot of visualization possibilities in a data set like the one that Stevens and Williams generate, and their article only scratches the surface of those possibilities. But this is one of those critiques that has its roots more in my interests than in any necessary shortcoming in the essay itself.

Little did I know, back when I was jotting down my thoughts, that Lindsay Waters, he of the Eclipse of Scholarship (Amazon) fame and Executive Editor for the Humanities at Harvard UP, had already provided a pithy, pop-culture-laden putdown of Stevens and Williams, some 3 or 4 months before I even found it, at the Chronicle: The Lure of the List. (I have Scott to thank for pointing it out today.)

The lure of the list refers to the temptation that "klutzes" like Richard Posner and "clowns" like David Letterman yield to, but above which we in the humanities should hold ourselves. Lists are, and I'm quoting variously here, like pornography, bogus social science, hocus pocus, pseudoscience, a Trojan horse, and so forth. I'm not sure "wastage" is a real word, but it's the cost of an article like this apparently, as is our neglect of scholarly "fruit wasting on the vine, whose cultivation might have benefited us all." It's hard for me to recite this giant list of mixed metaphors without rolling my eyes, just a little. It's really over the top.

And I say this as someone who genuinely appreciates the efforts of Waters to shake loose some of the entrenched assumptions about the relationship between the publishing and tenure industries. Even so.

I'll restrict myself to two criticisms and one compliment. The first criticism deals with Stevens' and Williams' introduction, which in Waters' review, becomes the following:

But my heart sank when I saw that the premier egghead journal of the land, Critical Inquiry, published an essay last winter that purported to rank the greatest literary theorists in its pages (and, by implication, the world).

Maybe there's a history here that I'm not privy to, but wow. I'm afraid I take the authors at their word when they say they're interested in charting the trends that occur in the pages of their journal. The master list of citations (and one should add, citation in footnotes) is only one of the charts provided, and the information it provides hardly translates into The Greatest Theorists in the World!!™

Maybe I'm just defensive here, but one of the things that we're trying to do with the CCC Online Archive is to provide this kind of information. We're not trying to generate tenure industry kinds of information, though; rather, we're interested in providing newcomers and veterans alike with new pathways into the scholarship collected in the journal. We're proud of pages like this one, which dynamically tracks the self-citation in the journal. Are these the "most important" articles, and their authors the Greatest Scholars in Our Discipline? Not at all. But it tells you something about the journal that would be hard to glean even from years of reading, unless you're particularly fond of bibliographies and have a particularly mighty memory.

My first criticism, then, is the cavalier way that Waters attributes motives to the Stevens and Williams, thereby doing the work that they actually do a great disservice. My second criticism is related: I'm not sure that Waters actually read the article, or made any effort to understand that work. His description of their method, once you get past the snottiness of "very likely bogus social-science tools," is curious. Why "very likely" in a review that is not exactly notable for the application of kid gloves?

Waters' only real critique of their methods is to smack at them for neglecting the work of sociologists like Robert K. Merton. Now as it turns out, Merton's work is on my Rhetworks list, and in my pile, so I actually have read it. Scott notes that

The casual, condescending quality of his dismissal fails to embody the standards it claims to uphold.

Merton's "Matthew Effect," which Waters cites approvingly, is in part a discussion of the reward structure in the sciences, where famous scientists receive disproportionate attention and reward for their efforts, and non-famous scientists get the shaft. The Matthew Effect is a rich-get-richer notion. But there's more to it than that. Merton also emphasizes the communication system; if attribution is the currency of the reward system, then visibility is the currency of the communication system. Famous scientists, he explains, may receive disproportionate rewards, but they also are able to make their ideas visible and diffuse more quickly, contributing to the development of knowledge.

What's interesting about Merton's original article on the Matthew Effect (.pdf from UPenn) is his interviews with various Nobel Laureates, who are acutely conscious both of their struggle to gain recognition and the privilege that accrued to their position once they did. What's interesting to me are the various strategies that they discuss for using their disproportionate visibility to help younger scholars. In other words, there's an ethical component here to the Matthew Effect, one felt strongly by many of those that Merton interviews.

What I take Scott to mean is that Waters, as the Executive Editor for the Humanities of Harvard Press writing for the Chronicle of Higher Education, might himself reflect upon the ethical dimension of the Matthew Effect. Were he to do so, he might rightly conclude that reviewing an essay by misreading its intentions, distorting it, and calling it all sorts of names, is exactly the kind of disservice that Merton might find less than kosher. Whether or not Scott means it, that's my second criticism.

Now for a compliment. There's a legitimate argument lurking beneath all of the verbage and vitriol that characterizes Waters' column here. After recalling the top ten or so (and making note of all on the list who are affiliated with Harvard (??)), Waters writes

[The authors] note that "Benjamin's works are cited nonargumentatively," which I think is a nice way of saying his ideas are just window dressing, not engaged with. That must be why he ranks high as one of the most perfectly citable authors of all, because you can cite him reverently without having to figure out what he said. With Benjamin a citation is the academic equivalent of the purely ritual move, like a ballplayer's sign of the cross.

This is a genuinely interesting thesis, and speaks to the flux located just beneath the smooth surface of any list. At another point, Waters accuses the authors of "substitut[ing] accounting methods for critical judgment," and yet, just a few paragraphs later, Waters demonstrates that it's possible to generate critical judgment out of the evidence provided by these so-called "accounting methods."

And that's the real point here. Our institutions may indeed be on a quest to reduce what we do to numbers, and the tools are out there for them to do that. But in the humanities, we've avoided these kinds of evidence and these methods, out of a misplaced faith that if we simply close our eyes to them, they can't affect us. But the Nobel Laureates that Merton interviews are very conscious of the asymmetries attendant upon their activity, and it is that consciousness that allows them to try and redress them. There's a great deal of knowledge that we could be generating and building upon if we were to turn to information design, visualization, and yes, even some of these "accounting methods," not as ends in themselves, but as starting points for the kinds of critical judgments that Waters advocates.

For me, this kind of knowledge is far more likely to be the fruit that withers on the vine, at least in the field where I work.

That is all.

March 17, 2007

Ethics v Ethos (& Class Blogging)

In an episode that demonstrates where my media preferences and habits lie, I caught a post of Kathleen's today a couple of hours in advance of the digested email list to which she refers.

Anyhow, in this conversation, a senior scholar raises the question of whether or not students should be blogging about people who may one day be their colleagues. In short, this scholar has a Google alert set to inform him of mentions of his name, and he wonders about the ethics of allowing students to post their initial forays into his work publicly ("While I am happy that folks are reading my stuff, I am aghast that their entries are on the web for all to read.").

It's an interesting question. Like Kathleen, I don't think it's "unethical" per se, as long as it's made quite clear to the students what the potential drawbacks are should they choose to make themselves identifiable.

But I do think it's a question of ethics in the sense of ethos, which is what I take Kathleen to be talking about. It's important (for different reasons at different points along the academic spectrum) to understand the ethical consequences of blogging, the ways that it may help to construct an identity that potential employers and colleagues may one way be able to access. That's one of the lessons that emerged from the whole Tribble flap.

I think another point worth raising is that, soon enough, these same people (in the case of graduate students) will be writing articles that are in the journals for all to read. It's not quite the same thing, true, but there's one thing about the comparison that does work. It's easy in graduate school (and beyond) to imagine that scholarship, particularly in the humanities, is a matter of moving around quotes and citations, almost treating our sources as chess pieces in our various writerly gambits. It's easy to forget that the proper names that appear on our books and in our articles are more than simply functions. They also signify real people, who will react to our work and our citations in various ways. In other words, it's easy to forget that we are often writing about real people with varying levels of investment in the ideas and quotations that we patch together with our own writing.

I'm not always good at it myself, imagining how the people whose work I draw on would themselves respond to my appropriations. But I think that many of us have to undergo the transition where we write dissertations that challenge "the field," only to realize eventually that we ourselves are "the field," that there is no objective field-out-there but instead networks of colleagues, each of whom tries just as hard as we do to get it right, to advance our understanding, to contribute to knowledge.

Transforming one's self from a student to a scholar is in part a matter of coming to terms with the fact that your audience as a scholar is in fact real, addressed rather than invoked. And I don't mean to make it sound as though my transformation is complete--I think it takes a long time to shake the temptation to treat the field as a reified, monolithic whole in need of correction, revision, or enlightenment. I struggle with this myself.

But one of the things that blogging can do, particularly if one does it in the context of a community of scholars, is to make that transition easier. I'll be spending time with a lot of other bloggers in New York next week, some whom I've known (and I know) pre-blog, but many of whom became "real" to me first through this space. And in a lot of ways, that community has become the audience that I write to, even when I'm not writing in this space.

Not everyone who keeps a class blog is going to have the same experience as I have, certainly, but the potential rewards are substantial, I think, if they develop some sense of the ethos they must develop and the audience they may one day address under more formal circumstances.

That's all.

May 5, 2007

Is it really so complicated?

Tonight's entry is prompted by the arrival today of several entries in Google Reader, the most recent entries fed there and published at the Kenneth Burke Journal:

KB Journal feed

The KB Journal is, unfortunately, one of the only journals in our field that is (a) using RSS feeds, and (b) using them correctly. Exhibit A in how not to use them comes from the Project MUSE journals. I was excited to see that their journals had feeds, until the first one arrived. Basically, they feed a link to the table of contents page for new issues. This is okay, I suppose, but differs little from sending announcements to email lists.

What the KB Journal does (and Written Communication and CCC also do) is to create entries for each article, with more information than the fact of its existence. Hell, even the author and title would be an improvement. I use a reader to skim a lot of sites, and to make decisions about whether to follow up. Using them to draw readers to their site, as MUSE does, is to make a bunch of Web 1.0 assumptions about eyeballs, traffic, stickiness, etc. With the MUSE journals:

  • I don't know what I'm getting until I've loaded their page
  • Unless I have an immediate need, I'm likely to forget their content, since there's little point in bookmarking random TOCs
  • I can't bookmark an article to return to it when I have time
  • I can't bookmark one to download to my office machine, where my access to MUSE is automatic
  • I can't look back through recent articles
  • I can't use the journal in any way other than I'd use it if I saw it on a colleague's shelf

But you know what? At least they HAVE. A. FEED. Even if MUSE is doing it wrong, at least they're trying to do it. There are so many journals in our field that haven't even bothered to create feeds that it should be embarrassing to us. And we all know who they are, including some pretty unlikely suspects, journals that should be at the forefront of providing this kind of access.

Here's what it takes to provide a feed of recent articles for a journal:

  • A free account with a blog provider like Blogger or Wordpress

  • The ability, for each article, to:
    • copy and paste relevant information into a textbox

    • Click on "save" or "publish"

That's it. You don't need crazy designs, blogrolls, any modification whatsoever. It doesn't have to be integrated into a larger site or do anything fancy. For pretty much any journal, with readable files for the articles, I could post a new issue in roughly 15 minutes. Four issues a year? Maybe an hour total. One hour. Per year.

You can't tell me that the resulting increase in circulation, were our field to cotton eventually to the notion of RSS readers, wouldn't be worth it. And the benefits to us?

Here's what I see when I go to List View for my Written Communication feed:

Written Communication feed

Not only am I notified when new articles are published, but I have access to the last three or four issues of the journal at all times, from any computer. And I can star them for future reference. Want to follow up on a title? They're expandable:

WC feed, expanded entry

This functionality currently exists for a mere handful of our journals. If the time spent gnashing our teeth about the overwhelming amount of stuff to read were spent instead putting together feeds for all of our journals, you know what? All of a sudden, we'd be able to manage that load much more easily. And I'm not kidding when I suggest that it's really that easy. It is. There's a lot more that could be done, but if our journals would take the tiny step of being responsible for RSS feeds at the point of production/publication, the resulting benefits would be colossal. And that's not me being hyperbolic. Imagine being able to open a browser window and being able to search, read, and bookmark abstracts from the last year or two's worth of journals in our field. Seriously, how much easier would that make our academic lives?

And yes, we have been doing this at the CCC Online Archive for the past 2+ years: http://inventio.us/ccc/atom.xml. But my point isn't to gloat--it's to ask instead why the heck our editors, including many for whom this should be obvious, haven't followed suit.

And that's all. I could get a lot snarkier about this, and I could name names, but let me instead close with an offer. On the off-chance that someone's reading this who wants help setting a feed up, please let me know. Honestly. I'd be happy to show someone just how easy this is.

November 16, 2007

VerveEarth = Assholes

It's funny what it took to get me back into the saddle. I haven't really blogged for about a month now, but I was going through my comment filters to make sure no one got caught there, and what did I find? I found spam from a company called VerveEarth, some faux compliments about my site along with obligatory links to their work. You can slap a com after their name to go look at it. I won't link it here.

I just want to be clear: VE could have the BEST site ev0r. But my new "friend" Clayton came to my site and left his shitty spam on an entry I wrote to honor the passing of my father. If the Internet broke down tomorrow (all except for his site), and I were in a foreign country surrounded by people who didn't speak English, and bleeding out of my eyes with my only hope for life my ability to locate a hospital, and the only way I could find it was by using their site, I would die by the side of the road.

That is how angry this makes me.

So thanks, Clayton, for prompting me to blog again. I hope your company and your product goes belly-up faster than the time it takes your front page to load.

That is all.

November 24, 2007

We didn't start the fire...

Okay. The gauntlet has been thrown down. How best to talk about Kindle without falling prey to "snark, ennui, [or] carping about the DRM?"

It's not too bad. I've been interested for almost 10 years in the possibility of a reasonably priced, portable screen reader. When I was at ODU, I remember having conversations with colleagues about the possibility of a Kindle-like machine upon which students could store texts from multiple courses, allowing them to search across course materials, link between them, annotate, et al. And it's genuinely exciting to see that Amazon is putting serious weight behind it--there's been little incentive, I fear, for the book industry to do so (and this despite some warning signs). My gut reaction, when I saw the announcement on the Amazon page, was to figure out whether I could get my hands on one, and how soon.

I've owned 3 or 4 iPods, including the very first model, and I'm happy with my iPhone, and that's not to mention my wireless keyboards, mice, presentation clicker, iTrip, etc.--I'm a fiend when it comes to gadgets. Adding the Kindle to my repertoire seemed like the next logical step.

And yet. One of the problems that I don't see a great deal of discussion about is that the book is an incredibly mature (and thus highly variegated) technology. Think about it. You can talk about the innovations like spaces between words, standardized fonts, apparati like TOC's and indices, etc., but fact is that our books today haven't changed that much from those in circulation centuries ago. And most of the real changes have been of degree rather than kind.

In that time, so many different rituals, habits, and dispositions have emerged with respect to books--the variety of ways that we use them is one of the keys to the success of that medium. And it's why the "death of the book" stuff in the 90s was so overblown. It's not just a matter of happening on "better" technologies, because they already exist right now. The book has had hundreds of years of cultural, social, personal, psychological, and aesthetic embedding--and that's not going to be dislodged overnight.

Contrast that with the emergence of the MP3 player. This could be oversimplifying, but there are 3 basic milieu for music in our lives: home, office, and car. For the vast majority of music consumers, the only thing wrong with the CD is that most collections exceed the bounds of easy portability/storage. The computer solves the storage issue, the MP3 player solves portability. But the experience of listening to music isn't really that varied. I might listen to it in a range of places, but the basic action is the same whether I'm rocking out on a road trip or want some soothing background in my office.

The uses to which I put books vary much more. It could be argued that I'm a power user of the sort that I disallowed above in my music analogy, but I don't think that I'm that unique in that regard. I think a lot of people use books in a range of ways, although perhaps not as often or as intensively as I.

So my trouble with the Kindle is quite simply that it only really targets, in pricing, restrictions, and promotion, one of the kinds of reading that I do. First, at 10 bucks a pop, I'm only really saving money if I'm a big hardcover bestseller reader (which I'm not). The books I buy that are more than $10 are those least likely to be prioritized by Amazon, like academic books. And I'm certainly not going to pay for blogs, but even then, most of the content is A-list, which is not where I hang out anyway.

Second, 200 books, which is what Amazon is claiming it will hold, is nothing. Seriously. If indeed someday academic books are part of this, the Kindle is really only the size of a decent bookcase. Last time I counted, I had 8 or 9 in my apartment, and that's not counting the wall in my office. And that's where the DRM will begin to drive me crazy, I fear. I already avoid the iTunes store when possible because I hate having to figure out which machine stuff is okay on. And given that I upgrade machines every couple of years, even a 5-machine permit is going to run out on me fairly quickly.

Third, "it's like an iPod for books." Well, no. I'm trying not to snark here. It's actually like an iPhone for books--the iPhone is a much more restrictive, expensive gadget, problems offset for me by what it does well. But I don't use the iPod features on the phone--can't sync with multiple machines. The iPod is really just a portable hard drive, running one piece of software, with a minimal interface. And it answered a complex of needs: the obsolence of tapes, the convenience of the Walkman, the fragility of the CD, and the size of the personal computer. The iPhone was a feature-heavy entry into an already crowded market, relying upon flash because the substance is pretty standard.

There are a lot of good posts out there about Kindle, and some of the other models that people have suggested are intriguing. In the absence of competition, though, I don't see Amazon moving too far away from the model they're currently working with. Which is too bad, because I'd still like to take it for a test drive. But I just can't see myself spending four or five hundred dollars for something that meets such a small portion of my reading needs. At the very least, I hope they think about embracing the epub standard.

At the very least, the Kindle is worth watching, and I hope that someday I'll think it's worth owning. That is all.

And only a little bit of carping.

November 30, 2007

Re/Visions are Live

I'm assuming that the issues themselves are going into the mail soon, but if you visit the NCTE site (which I seem to be doing a lot lately), you'll find the most recent issue of CCC available, which includes the Re/Visions piece from Anne, Jeff, and I.

The issue index is here, and the article itself is available here. You'll need to be a subscriber to download it, though. If you want a free copy of the Janangelo article, it's available on the front page of the CCC Online Archive.

I'm just heading out; otherwise, I wouldn't violate the rule against deictic linking. Sorry about that.

December 7, 2007

Reading Reimagined

Matthew Kirschenbaum blogged about it when his CHE piece ("How Reading is Being Reimagined") came out online, but given the choice between plunking down money or relying upon the "free" copy in the department, well, I'll take the two week delay.

But I got around to reading his piece today, and I did want to express appreciation for a couple of points in particular. It's an essay that balances nicely the critique of the NEA report with the promise of new media. A couple of things jumped out at me:

First, I think this point is easy to overlook:

The structure of To Read or Not to Read presents itself as tacit acknowledgment that not all of its own text will likely be read by any one reader, since it is clearly designed to be "not read" in at least some of the ways that accord with Bayard's observations. The report is accompanied by an Executive Summary, a condensed version of the major findings. Its internal organization is carefully laid out, with summary points at the head of each chapter, topic sentences, extensive notes, sidebars, and sections labeled as conclusions.

I mention this passage not for its critique, but because it connects with some of the stuff that Derek is working on with respect to abstraction, and it points to something I'm increasingly conscious of: the range of scales through we approach texts. It's rapidly becoming one of the key ideas that I'm working through in my own writing. And at CCC Online, for that matter. It's not an issue of reading/not-reading for me, but of negotiated distances.

A second quote that poked at me:

Reading your friend's blog is not likely a replacement for reading Proust, but some blogs have been a venue for extraordinary writing, and we are not going to talk responsibly or well about what it means to read online until we stop conflating genre with value.

Again, my point is a little less obvious. I'd add that we need to stop misunderstanding genre itself, in terms of a set of language-objects like books, blogs, magazines, etc. Which is not to say that MK is wrong here. The problem is that thinking about reading in terms of consuming objects (a book, a blog, a newspaper) is always going to lead to the substitution he's arguing against. And this is something I hope my book gets at a bit. The problem isn't the range of acceptable objects so much as it is our acceptance of "objects" themselves as the measure of the practice, if that makes sense.

(I've arrived at that position in large part as I've been converted by the work of genre studies folk in our field, btw. When I taught a course on genre a couple of summers ago, I entered the course highly skeptical of the material we were reading--it's the only time I've taught a course whose subject I was "against" to start with...)

Anywho, one last observation, which itself has nothing to do with MK's article. It's title is "How Reading is Being Reimagined," but on the cover of the Chronic Review, it's listed as "The New Metrics of Reading," which strikes me as somewhat different. On the front page of the Chronic site, it's called "Literacy.net," and includes the tease

All you need to do is skim the NEA reading report online and you'll have some questions. And that's the point, writes Matthew Kirschenbaum.

I've never really noticed how fast and loose they seem to play with their descriptions of content. I know that Becky has run afoul of the CHE headline writers before, but I guess I haven't paid much attention otherwise...

Anyways, it's a good article. Go read it. That's all.